![]() At the top of many of the pages are links that provide, under the general heading “Natives and Immigrants,” alternative paths through the material, linking the references to African Americans, Californios/Latinos, Chinese, California Indians. There are links at the bottom of many pages that extend the story outwards-to a Chinese camp, a Miwok mining site, a long tom. ![]() Each page has text and pictures, photos of objects from the exhibition. “Gold Fever!” contains the more detailed narrative and analytic material on the gold rush story, covering such topics as the journeys to gold rush California, the miners’ daily life, law and order, commerce, and entertainment. California remains a land of opportunity and abundance, a place where people can reinvent themselves. Women, we are told, faced hardships on the journey out and in gold rush California, but they found they could do things they had never done before. ![]() The environmental damage of the gold rush is said to be a precedent for later “gross manipulation and exploitation of natural resources”- “we have not escaped the forty-niner mentality.” The “Peoples of California” section notes the “prejudice and discrimination” several groups faced in gold rush times and the fact that the gold rush was a “disaster” for the California Indians, but it ends by affirming the rich diversity of contemporary California. The introduction, “Stories of the Lure and Legacy,” is a multimedia presentation-voices and changing still images-which explores the themes of “environment,” “peoples,” and “women.” Both critical and celebratory voices are heard. This most valuable Web site is an online version of four exhibitions created at the Oakland Museum in 1998 to mark the sesquicentenary of the California gold rushes- “Gold Fever!,” “Art of the Gold Rush,” “Silver and Gold,” and Harry Fonseca’s “The Discovery of Gold in California.” Created and maintained by the Oakland Museum of California, Oakland, Ca.
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To do this, mix the remaining spice rub together with the flour, salt, and black pepper in a shallow bowl. Dredge The Chopsīefore cooking the pork you’ll need to make a dredge and then coat the chops. But be sure to keep the remaining spice rub set aside that you didn’t use because you’ll need it for the next step. Now, generously season them with about ¾ of the spice rub that you just made and place them on a plate. Then pat the pork chops dry with paper towels. Next, make the yummy spice rub by whisking the salt, black pepper, paprika, garlic powder, onion powder, and chili powder together in a small bowl. ![]() Putting the pork and gravy into an oven to braise that isn’t already hot can impact the final result. Preheat The Ovenīefore you even sear the pork chops you need to preheat your oven to 350☏ (177☌) to get it nice and hot. Making this southern classic is easy peasy! It’s a one-pan main dish that you start on the stove by searing the chops and finish by braising in the oven which creates super tender pork coated in a delicious creamy gravy. Yet, for a lower fat version, half and half works as well.
![]() She has also retained a fairly slim physique. She has grown decently taller since childhood, though she stands at a pretty average height for a young woman. However, She would also wear various styled dresses with coats instead.Īs a teen/young adult, Shōko has grown her hair out a considerable amount, now being about chest-length. Shōko’s most common outfit was a light pink t-shirt, plaid yellow skirt, and sneakers. Her head also appears slightly more round than her future self. She is of average height and weight for her age, being almost as tall as Shōya Ishida during this time. Noticeably, Shōko’s hair tends to obscure her ears from view when not tied into a ponytail or bun, possibly a visual choice to indicate how open she feels to the world compared to others.Īt twelve years old, Shōko wore her hair in a bob style while keeping her natural bangs. Her eyes are round, with large brown irises that give her a welcoming look. Shōko has straight, dusty rose colored hair that she wears in various styles and lengths throughout the series. The culmination of her growth is shown in her choice to move to Tokyo after graduating, finally looking forward to her own dream of becoming a hairdresser, which was partly inspired by her childhood encounter with Miyako Ishida (Shōya's mother) at her salon. After assuming this more realistic and proactive mindset, she finds greater success enriching the lives of the people around her, finally achieving her desire to be a source of strength for others. ![]() After being saved from her lowest point, Shōko chooses to confront her negative feelings and starts accepting the value in her own life even with its imperfections. It is through her growing friendship with Shōya that Shōko embraces more of herself and starts to express her emotions more openly, revealing moments of anger, sadness, and genuine happiness. This quality explains her sixth grade desire to be friends with the tactless but honest Shōya, and it is part of her reason for associating with Naoka Ueno in adulthood. However, she tends to lack confidence in her own judgments of social situations, which causes her to highly value others' honesty, even when that honesty is harsh. Contrary to most people's expectations, she is rather analytical and perceptive, and she is usually quick to discern the content and subtext of conversations even when they are not signed to her. Although her disability makes certain parts of her life difficult, Shōko never feels the need to be pitied or treated specially.īeing a visually focused person by necessity, Shōko has a fondness for visual metaphor and symbolism, as exemplified by her feelings toward her sixth grade notebook, her affection for Madagascar periwinkles in the language of flowers, and various other actions over the course of the story. She also expresses a caring and nurturing side, as seen when she tells Shōya that it makes her happy to give others what they need. However, these negative feelings are usually hidden beneath the more obvious positive parts of her personality.Īt her core, Shōko is a kind and compassionate person who is rather easygoing and she is shown to be very patient and forgiving, even to her former bully Shōya, whose friendship she earnestly accepts when years later he expresses regret at mistreating and failing to understand her. Due to her lack of confidence in her own perceptions and desire not to be a burden, she struggles with avoidant behaviors, which ultimately exacerbate her feelings of guilt and inadequacy. She is plagued by guilt over what she sees as her own role in the dysfunctional situations of her past, including both her school and family life, and she has developed a tendency to blame herself when things go wrong even when she alone is negatively affected. Her hope of making friends was symbolized to her by the communication notebook she brought to Takeuchi's class, and she temporarily gave up this wish after Shōya Ishida tossed this book into the school’s pond.Īfter facing isolation of both external and self-imposed varieties for many years of her life, Shōko has become a melancholic and self-loathing person in her late teens. However, due to difficulties in communication, she was often met with misunderstanding, disinterest, or bullying. ![]() In her youth, Shōko had a strong desire to connect with people around her. ![]() Would also like to hear from anyone who has connected two arduinos together to talk via the can bus, and whether there are any tricks to observe. Would be grateful if anyone has run a shield with an Arduino (Elecfreaks or other) with no other connection to any other instruments and got a success instead of a fail when running the send routine, or whether i should expect a fail under those circumstances. Thought it might be the termination of the CAN bus so added two 100 ohm resistors (near enough to 120 ohm) to terminate the CAN bus, but still had the same result. I thought it might be that the rate was too high, so changed the rate to CAN_5KBS with the same result. Same message, and when I changed the code on the receive code to check for CAN_OK after calling CAN.begin, found that that failed as well. I loaded the receive code on the other arduino. I thought it might be the fact that nothing was connected on the Can bus, so connected the other arduino connecting the canh, canl and ground terminals. Supports Microchip MCP2515 based boards/shields and the Espressif ESP32's built-in SJA1000 compatible CAN controller. I have run the send code without connecting the arduino to anything and obtained An Arduino library for sending and receiving data using CAN bus. The code is the same as that posted in the first message in this thread. I have loaded the library posted on the Elecfreaks website ( micro:bit Accessories Store | ELECFREAKS) under 'Paintcode' - I think something must have been lost in the translation from Chinese - so I think that I have used the correct library, though I have tried other libraries as well. I think it must be something I am doing wrong, because two shields can't be defective, and i have tried two Unos and a Franziz board from a Tutorial kit. I also thought the shield I was using was defective so i bought another, and have the same problems. I also have an Arduino Uno R3 and a CAN BUS shield from. If this is not theccase the problem is probably in the arduino or driver side. I think that with your code at least can init fail should comes out from the serial monitor. When I try the "receive" code, nothing comes out on the serial monitor, like it's not reading anything. send data: id = 0x00, standrad flame, data len = 8, stmp: data buf If(CAN.begin(CAN_500KBPS) =CAN_OK) Serial.print("can init ok!!\r\n") Įlse Serial.print("Can init fail!!\r\n") The code i'm using to send is this: #include Any suggestions? I've also used a number of different libraries. I've tried the simple examples for send or receive that come with the shield's library to no avail. Also when I connect the car cluster, the Rx led on the shield stays on but nothing else. ![]() But i think the shield I'm using may be defective, since it always fails to initialize can. I did my homework, a lot of work has already been done on the subject and is posted online. Hello, I got an Arduino Uno R3 and a CAN BUS shield from to try and control an instrument cluster from a Mazda RX8. ![]() iative targeted at fashion industry professionals who are hungry for real editorial, opinion, and analysis that is completely devoted to fashion technology outside the scope of PLM. The Interline is a fashion technology news publication and community dedicated to fashion and retail technology. Kovair Blog » Product Lifecycle Management RSS Feed.PLM Green Global Alliance Blog RSS Feed. ![]() Tata Technologies | PLM Tech Talk Blog RSS Feed.RIS » Product Lifecycle Management RSS Feed.This content was issued through the press release distribution service at. Image 1: Backbone PLM + Adobe Illustratorīackbone PLM Unveils Adobe Illustrator Plugin Backbone helps brands innovate, design, and develop products at digital speed by providing tools that empower creativity, improve time to market, and deliver data that ensures products drive revenue. The company's product lifecycle management (PLM) software is used by some of the most innovative names in the fashion and apparel industry, ushering products from conception to development through a cloud-based, collaborative environment for design and production teams to work together. From design to production, Adobe Illustrator and Backbone PLM help brands manage style libraries and increase coordination, communication, and innovation throughout the various stages of product development.īackbone PLM is a product development platform that enables brands to make products smarter, faster, and at scale. "This Adobe Illustrator plugin removes designer's greatest point of friction in the platform and will make their daily work and collaboration with team members easier, ultimately enabling their brands to move faster and compete better."ĭesign, technical, and production teams can collaborate on new products in real-time directly through Backbone's cloud-based user interface to encourage more communicative interactions with factories, vendors, merchandisers, retail teams, and customers. As a company, we have deeply embedded domain expertise, and we look for ways to improve workflows for the brands we serve," said Jeff Fedor, Backbone's CEO. "Backbone was made by designers, for designers. Those files are synced from Illustrator directly into Backbone, saving valuable time by eliminating manual uploads - one of the most cumbersome tasks faced by design teams in their creative path. Designers can also work in Illustrator to actively capture changes to artboard revisions used to populate reports and tech packs through Backbone's dynamic system of interconnected libraries.Īdobe Illustrator is the industry-leading graphics solution for illustration, design, sketching, and typography - providing an innovative platform for designers and developers to create the products made by most brands on the Backbone platform. The new Adobe plugin streamlines each step of the creative process, enabling users to upload multiple design iterations and keep track of version history. It also empowers production teams to access and share product-related detail as it becomes available from designers within Backbone and ensures teams always have the most current artboards during each stage of the design cycle. 08, 2022 (GLOBE NEWSWIRE) - Backbone PLM announced the launch of its new Adobe Illustrator plugin. The company's product lifecycle management (PLM) platform empowers brands to make products smarter, faster, and at scale - providing a centralized system that houses product, component, design, and production data for fashion, apparel, footwear, outdoor, home goods, and accessories companies.īackbone's new Adobe Illustrator plugin enables designers to create technical sketches, colorups, detailed component renderings, and other assets for product specifications. TinyMM is by no means a difficult app to use, however, since there are tons of sections and things you can do with the app, it may take a bit of time to get used to its workflow. You can manually edit any metadata field, you can perform custom filters and sort the files in question, group movies into sets with special artwork common to all movies in it, as well as import TV show collections from various sources, no matter the file organization style. The app also boasts a subtitle downloader that provides data from .Īs mentioned before, one of the best aspects of tinyMediaManager is the multitude of tools for organizing media files. The art is downloaded from TheMovieDb, TVDb, and, while the trailers come from TheMovieDb and. The metadata scrapers used to retrieve information are as follows: IMDb, TheMovieDB, TVDb, OFDb, Moviemeter, Trakt, and many more. ![]() Since TinyMediaManager is built using Java and Swing, it should work without problems on most Linux distributions, as well as on Windows and macOS. You can also create, view, edit the metadata, artwork, and file structure of your media files (used by Kodi/XBMC, Plex, MediaPortal, Emby, Jellyfin, and other similar media center software). The app also provides various ways to extract information/metadata from third-party sources, and can even take on the role of a surprisingly nice video player. ![]() This includes movies, TV series, TV shows, documentaries, and other types of media. Nevertheless, if you're one of those nostalgia-driven users who like having movies and TV shows stored locally on your computers and you're not a fan of streaming services, then you might want to check out tinyMediaManager, or tinyMM, for short.Īs its name clearly states, it's a "tiny" media/multimedia manager application that is all about helping you manage and organize your media library. Having multimedia collections on our computers is slowly but surely becoming a thing of the past. ![]() If you want to experience a true sense of customization, you should try a couple of themes first. It is advisable to practice using this software at least once before downloading it and installing it. You will then be able to customize your system. Within minutes, you will be able to browse through the different wallpaper themes to select from. The software will download and install itself on your PC. ![]() Here you will find a link to Bing Wallpaper. All you have to do is visit the website of the online web application. It is designed to be accessed on the internet. The program is extremely easy to use and does not require a user to download a separate program. Microsoft says that its new Windows-based Win32 application 'Bing Wallpaper" will help users to alter the desktop wallpaper to a similar wallpaper found on Bing homepage. In Windows 10, you have the option to customize your desktop with various color accents and custom image backgrounds. The Windows operating system now allows users to easily change their desktop backgrounds using software. This innovative desktop background is one of the most unique and customizable wallpapers you can currently get for Windows 10.īing Wallpaper has become one of the most popular wallpapers for the latest versions of Windows computers. Many people prefer to have the animated desktop background as their desktop background because they are not only fun to look at, but also functional and unique. This will remove the software from your system. You simply need to download and install the software, then go to Control Panel > Add Remove Programs and click on the "Remove" tab. ![]() Lively Wallpaper can also be used as your Windows 10 default desktop background. Also, you must be signed up as a member of Rock minister's official web site in order to be able to download the software. It is important to remember to always have the latest version of Windows installed on your PC in order to use this application. To change the desktop wallpaper with Lively Wallpaper, you open the program, select your choice of images from the gallery that you want to place on your desktop, and then select "replace wallpaper." A preview of the effect will appear on your screen so you can decide if you like it before actually downloading the application. You can download the software free of charge and use it on any Windows XP or Vista computer. The software comes with over two hundred and fifty different images that you can use for your desktop background. Developed by Rockdanister, the software allows you to easily change and personalize your computer's desktop wallpaper with little effort. Lively Wallpaper is a Windows application developed to convert videos, games, and photographs into dynamic, colourful, animated wallpapers quickly and easily. ![]() ![]() It provides users with numerous hours of fun-filled adventure for all ages and genre, especially on Linux platforms where such games are very rare. In conclusion, SuperTux is an addictive and fun video game in the style of the highly acclaimed Super Mario games developed by Nintendo. This release introduces many new features perhaps the most new features in a long time WASM compilation SuperTux nightlies can now be played directly in the browser (thanks to Semphris). It can run on both 64-bit and 32-bit architectures. The SuperTux team is excited to announce the release of SuperTux 0.6.3 after approximately 1.5 years of development. However, the best way to install the SuperTux game on your favorite Linux distribution is to use the binary packages from the default software repositories. It is distributed as binary installers for the Windows and Macintosh platforms, as well as a universal source archive for the GNU/Linux platform, allowing users to install the game on any Linux-based operating system. It is compatible with the GNU/Linux, Microsoft Windows and Mac OS X operating systems. The game has been written entirely in the C++ programming language and uses the PhysicsFS (PhysFS) programming library for virtual file access. ![]() It lets users to start a new game, continue a saved game, access levels that are contributed by the community, enable add-ons, configure options, view credits, and exit the game. The main menu has been designed in such a way that it acts as a trailer of what you're about to play for the next few days or months. Key features include a basic story, nine enemies, twenty-six levels, beautiful background music and sound effects, OpenGL-based and software rendering modes, configurable keyboard and joystick inputs, as well as eye-candy graphics. SuperTux is an open source and cross-platform side-scrolling, jump 'n' run video game that looks and acts similar to the famous Super Mario video game series, only that the main character is Tux the penguin, which is also the official mascot of the Linux kernel project. ![]()
![]() Simple projects may include only one composition complex projects may consist of hundreds of compositions to organize large amounts of footage or many effects. You render a composition to create the frames of a final output movie, which is encoded and exported to various formats. (See Layers and properties and Transparency and compositing.)Ī composition in After Effects is similar to a movie clip in Flash Professional or a sequence in Premiere Pro. You then arrange layers within a composition in space and time and composite using transparency features to determine which parts of underlying layers show through the layers stacked on top of them. You add a footage item to a composition by creating a layer for which the footage item is the source. A typical composition includes multiple layers representing components such as video and audio footage items, animated text and vector graphics, still images, and lights. GPU and GPU driver requirements for After EffectsĪ composition is a framework for a movie.How After Effects handles low memory issues while previewing.Use Frame.io with Premiere Pro and After Effects.Collaboration in Premiere Pro and After Effects.Collaboration: Frame.io, and Team Projects.Creative Cloud Libraries in After Effects.Working with After Effects and other applications. ![]() Using the GoPro CineForm codec in After Effects.Rendering and exporting still images and still-image sequences.Automated rendering and network rendering.Export an After Effects project as an Adobe Premiere Pro project.Preview changes to 3D designs real time with the Mercury 3D engine.Construct VR environments in After Effects.Use expressions to edit and access text properties.Syntax differences between the JavaScript and Legacy ExtendScript expression engines.Compositing and transparency overview and resources.Setting, selecting, and deleting keyframes.Animating Sketch and Capture shapes using After Effects.Managing and animating shape paths and masks.Animation, Keyframes, Motion Tracking, and Keying.Cameras, lights, and points of interest.Remove objects from your videos with the Content-Aware Fill panel.Use Offset Paths shape effect to alter shapes.Shape attributes, paint operations, and path operations for shape layers.Paint tools: Brush, Clone Stamp, and Eraser.Overview of shape layers, paths, and vector graphics.Animate faster and easier using the Properties panel.Replace images and videos in Motion Graphics templates and Essential Properties.Work with Essential Properties to create Motion Graphics templates.Use expressions to create drop-down lists in Motion Graphics templates.Work with Motion Graphics templates in After Effects.Examples and resources for text animation.Formatting paragraphs and the Paragraph panel.Formatting characters and the Character panel.Detect edit points using Scene Edit Detection.Importing and interpreting footage items.Importing and interpreting video and audio.Importing from After Effects and Adobe Premiere Pro.View detailed performance information with the Composition Profiler.Precomposing, nesting, and pre-rendering.Extract and animate cameras and lights from 3D models (Beta).Import and add 3D models to your composition (Beta). |
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